E36 Swinging and Shooting

Apologies to anyone who expected this show to be released on the 21st of October, our usual release date (not that any of you actually notice we release on the 7th and 21st of each month); it was delayed due to Graham updating his computer to MacOS 10.15 and Audacity (audio editing) not updating their software to work with MacOS 10.15. He had to scramble a bit to find a computer with the old operating system but find one he did and here’s the result. 

Ethan has gone off for a European Vacation so Nick and Graham, left to their own devices come up with a show about… 90 minutes in length. They open the show with a discussion of modified Holgas and how to determine the frame sizes on slit masks and then move on to a chat about the interaction between elements in a photograph is the foundation of an interesting image.

Then, to completely annoy Simon, Perry and Johnny of the Classic Lenses Podcast (https://www.classiclensespodcast.com/), they talk about using modern cheap manual focus lensesthat have been designed to go on modern digital autofocus cameras for homemade film cameras. These lenses are excellent and cheap (did we mention cheap?) and, once a shutter system is devised, can create a competent camera build. 

Nick bought a 100 year-old Kodak Panoram camera from an antique store and the design of its swing-lens opens up possibilities. If you don’t know about the Panoram, here’s Mike Ekman’s page on it: (https://www.mikeeckman.com/2016/10/kodak-no-1-panoram-kodak-1900-1926/). The Nodal Point issue is also discussed and here’s a reference on that: (http://www.hugha.co.uk/NodalPoint/Index.htm)

Graham thanks Neil Piper of the Soot and Whitewash podcast (https://anchor.fm/neil-piper) for reviewing the 24Squared which could be back on the market in a few weeks.

E35 Large Format

They start off talking about bokeh and bokeh balls and Downton Abbey.

Ethan gives a short zine update and then Nick talks about Field of View vs. Perspective.

Narrow terms for optics:

Perspective: The geometry of point of view.

Field of view: With a normal lens, we see about 42mm is the same as our eyes.

Wide-angle lens distorts image: The distortion is an effect of our brains. We can’t normally see it that way so our brains have trouble figuring it out.

Barrel distortion and pincushion distortion are optical effects of lenses that can be corrected in lenses.

They then move into an open discussion about things to think about when building a large format camera. Advantages, disadvantages, concerns, etc. are covered.

The conversation about field of view is continued.

Depth of Field/Equivalent calculator https://www.pointsinfocus.com/tools/depth-of-field-and-equivalent-lens-calculator/

Ethan talks about a new project he has been working on, an 8X10 3D printed camera and why his head smells like soup.

They all talk about what they’ve been doing lately. Nick is thinning stuff out (no, not his hair, though that may also be the case); Graham went to a Viking and Mead Festival where he shot portraits of people in costumes, he’s working with developing more Holga Masks, including a panoramic insert and a 645; Ethan is working on a Day-Into-Night camera. It’s also worth noting that Nick and Ethan appeared on the Sunny 16 Podcast talking about this day-into-night (or night-into-day) photographic challenge the Sunnies are foisting off on the rest of the film photography world (https://sunny16.podbean.com/e/ep-171-made-for-the-job/)

@kouichihirawa was mentioned as Nick’s shoutout.

Graham’s shoutout was to All Through A Lens Podcast (https://allthroughalens.podbean.com/)

Ethan shouted at Al Gore and the Internet. He lost the argument.